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TNA Head Writer Announces He Is Leaving The Company

https://www.youtube.com/watch?v=3kEXaE0bM7c

On Friday afternoon, David Lagana, TNA’s Senior Director of Creative Writing, announced that he’s quitting the company in a blog post that he wrote on Medium. He had been with TNA since October of 2011, with stints in Ring of Honor and WWE before that. In a post that had a positive tone overall, Lagana wrote:

Today I made the decision to leave TNA Impact Wrestling. A decision I do not make lightly but one I made to create a future that I control. In 2017, you need to look forward to 2020 and beyond. My focus now is on personal branding, technology and the wild west of storytelling available to all content creators today.

With the exception of John Gaburick and the more rank and file WWE creative team members, Lagana thanked just about everyone he would have worked with directly in the process of writing TV for all three promotions. He thanked TNA for giving him the opportunity as well as “the talented and underappreciated television production crew and locker room.” Going forward, Lagana says he will be devoting his time to “personal branding, technology and the wild west of storytelling available to all content creators today.”

Lagana was close with Billy Corgan, so this is going to fuel a lot of speculation about why he’s leaving.

Billy Corgan Tweets Up a Storm About TNA, Ready To Formally Demand Repayment

Early Friday afternoon, in response to a New York Post article claiming that he’s been “ousted” as TNA President, Billy Corgan started tweeting about TNA again. A lot.

https://twitter.com/Billy/status/794568002553413632

https://twitter.com/Billy/status/794569232289853440

https://twitter.com/Billy/status/794569782184071168

https://twitter.com/Billy/status/794570172610859009

https://twitter.com/Billy/status/794570457466990593

https://twitter.com/Billy/status/794570729979346945

https://twitter.com/Billy/status/794571368494956544

https://twitter.com/Billy/status/794572818654629888

https://twitter.com/Billy/status/794573291029692416

If Corgan files new court papers as part of the loan repayment demand, we’ll update you on the latest in the case.

Additional Details On TNA Restructuring: Who Exactly Is Running The Company?

Earlier today, around the same time that Impact Ventures (TNA parent company) and Anthem Sports and Entertainment (Fight Network parent company) issued their joint press release about changes to TNA, Dixie Carter sent out an internal email to staff and talent. SEScoops has obtained a copy of the email, and these are the key details that were not mentioned in the press release:

  • A lot of the language is identical to the press release, including the line about how “the company will be managed by the Board, with Mr. [Edwin] Nordholm representing the Board on all major operating and restructuring decisions.” In Carter’s letter, however, it’s directly preceded by a note about how “[i]n general, the organizational structure will otherwise remain the same.” There’s also a note about TNA “worked with him over the last several months during numerous negotiations, and he has been instrumental in concluding the documents signed today.”
  • The takeaway appears to be that Edwin Nordholm is running the company. There’s no reference to Aroluxe’s Jason Brown, who had been running day to day operations unofficially and was expected to take over as CEO as part of the restructuring. However…
  • There’s also this: “Aroluxe Media, who is also an equity stakeholder, will continue to produce our shows in 2017. The next set of full tapings is scheduled for early January. Aroluxe will become more actively involved in the creative process to ensure that our taping productions arc as efficient and cost-effective as possible.” Aroluxe was not mentioned in the press release, and a representative for Anthem refused to comment on if they were still involved.
  • Carter notes that “Anthem’s sales team will be supporting the company in the TV and digital ad market.” Since TNA’s American TV revenue is entirely dependent on splitting advertising money with PopTV and it’s nearly nonexistent now, you can see why they would make that change.
  • The letter ends with this: “The Board of Managers will continue to develop a longer-term business plan for the Company and I am excited to have Anthem’s experience available to us as we plan for the future. With financial stability, we can focus on executing our near term objectives while planning a measured and thoughtful approach for the future.”
  • Note Carter’s choice of words: While TNA claimed in court records that the recent “cash flow deficits” were part of a larger plan to build up the PopTV ad inventory, she implies here that the company lacked “financial stability” until the Anthem deal was made this week.

Analysis: None of this is really unexpected other than the ostensible disappearance of Jason Brown, which is a big question mark. A few weeks ago, Brown and the Harris twins were removed from the “team” listing on Aroluxe’s website, and as of this writing, there is no more “team” listing. Something is up, but nobody has said what as of yet.

Billy Corgan Accuses Fight Network of ‘Lying Through Counsel’ In Series of Tweets

https://www.youtube.com/watch?v=gU7zfalwe1M

Billy Corgan’s very public argument Thursday with Anthem Sports and Entertainment, the parent company of The Fight Network, keeps going late Friday afternoon in the form of Corgan replying to The Fight Network’s tweets about the situation:

https://twitter.com/Billy/status/794275341325864960

 

https://twitter.com/Billy/status/794276142849003520

 

https://twitter.com/Billy/status/794276469836902400

To break this down, it looks like the tweet about Anthem “lying through counsel” relates to their promise to pay back the money he loaned to TNA by the November 1st deadline set in Corgan and TNA’s agreement. An attorney for Anthem appeared in court during the Corgan/TNA hearing in Nashville last week for that reason.

Analysis: Whatever you think of Corgan, he comes off much better than Anthem here. He’s right that Anthem really has no business saying that there’s “public discourse” about the situation “is inappropriate” when they issued multiple press releases about the situation, one of which dropped the bomb that he was out of TNA without any explanation. And he’s also right to clarify that he hasn’t been paid back if that’s the situation, since the press release was incredibly vague about that matter.

Report: More Japanese Female Wrestlers Joining Asuka in WWE

https://www.youtube.com/watch?v=u0-schfYQ4w

While not a surprise in light of the news that WWE is preparing for a women’s tournament a la the Cruiserweight Classic, it looks like the promotion is hiring more Japanese talent to boost the talent level of the division. According to Dave Meltzer in the newest Wrestling Observer Newsletter (subscribers only), Io Shirai and Kairi Hojo from the Stardom promotion in Japan are coming to WWE. However, Meltzer’s report is unclear as to if they will be in the tournament and then return full-time after (a la Akira Tozawa in the cruiserweight classic) or if they won’t be in the tournament at all.

Stardom is apparently asking them to stay, as along with Mayu Iwatani, they’re two of the top three stars in the promotion. There’s still a lot of time to go if they have’t actually signed, but the idea is that they will come to the United States after Shirai’s 10th anniversary show (March 20th) and Hojo’s “homecoming” show in April. While Stardom is the biggest women’s promotion in Japan, in 2016, that unfortunately doesn’t say much, and losing two of their three top stars would be a huge blow.

Analysis: WWE does have a need for more veteran female workers, both on the main roster and on NXT, so this is a very good move. As good as the current crop of rising female stars in the company is, Asuka, Natalya, and Becky Lynch aren’t enough to help the less experienced wrestlers learn on the road.

TNA Announces Departure of Billy Corgan, Details of Deal with Anthem

https://www.youtube.com/watch?v=fXDHtaBVnuw

On Thursday afternoon, Impact Ventures (the parent company of TNA) and Anthem Sports and Entertainment (the parent company of The Fight Network) issued the following joint statement:

Anthem Sports & Entertainment and Impact Ventures Announce Credit Relationship

Toronto, Canada (November 3, 2016) – Anthem Sports & Entertainment Corp. and Impact Ventures, parent company of TNA Impact Wrestling, today announced that Anthem has provided a credit facility to TNA to fund operations.

Anthem Sports & Entertainment Corp. is a global sports media company that operates Fight Network, Impact Wrestling’s exclusive broadcaster in Canada, as well as the exclusive worldwide digital streaming partner for all TNA programming. It is also an equity stakeholder of Impact Ventures.

The agreement includes the appointment of Anthem Executive Vice President Ed Nordholm to the Impact Ventures Board of Managers. The company will be managed by the Board with Mr. Nordholm representing the Board on all major operating and restructuring decisions. Dixie Carter will continue as Chair of the Company, as well as her position on the Board of Managers. Billy Corgan is no longer with the company.

“We have had a successful, long-term partnership with Fight Network as our Canadian broadcaster, and more recently as our global digital partner,” said Dixie Carter. “Anthem’s team has extensive media experience, and I am excited to have that available to us as we plan for the future.”

“We have consistently maintained that investing in content as we grow our distribution is important as a strategic necessity, and working more closely with a strong brand like TNA is in line with that. This financing is an extension of the support we have been providing since the beginning of the year,” said Leonard Asper, CEO of Anthem. “There are tremendous opportunities to support the company’s growth on all platforms and in all media along side Dixie and the incredible talent and staff at TNA.”

The key takeaways there are:

  • Billy Corgan is gone from TNA.  From the statement, it’s not clear if his loan has been repaid, although the deadline on the actual loan paperwork was Tuesday (November 1st). On Twitter, Corgan is claiming that he hasn’t been repaid yet:

https://twitter.com/Billy/status/794232124522004482

https://twitter.com/Billy/status/794232633207226368

https://twitter.com/Billy/status/794233412034891776

  • In addition to being a TNA shareholder, which we already knew, Anthem is providing a credit facility
  • to the company. Investopedia defines a credit facility as “a type of loan made in a business or corporate finance context, including revolving credit, term loans, committed facilities, letters of credit and most retail credit accounts.” The key, however, is that they’re usually “in conjunction with closing a round of equity financing or raising money by selling shares of its stock.”
  • We don’t know yet if Anthem is now the majority owner, but if they aren’t yet, this suggests that they’re in the process of making that deal happen. As of Monday, Anthem owned 2.5%, with Aroluxe Media owning 5% and Dixie Carter owning 92.5%.
  • There is no mention of Aroluxe Media in the press release even though the plan disclosed in court filings had them heavily involved, with Aroluxe’s Jason Brown as Impact Ventures’ new CEO. Brown had already been running the company day to day in an unofficial capacity.
  • Edwin “Ed” Nordholm of Anthem is joining Dixie Carter, Serg Salinas, and Dean Broadhead on Impact’s board of managers.

Update 2:10 p.m. ET: When asked for clarification on some of the above, Anthem sent us this statement:

Anthem Sports & Entertainment Corp. is a private company and we are not releasing any further comment at this time.
We copied TNA’s listed email contact on the initial message, but have not yet heard from them.

EXCLUSIVE: TNA Owes Yet Another Debt, This Time To Merchandise Designer/Importer

https://www.youtube.com/watch?v=jO45m6f22zk

Just when you thought there might be some stability to TNA-related stories for the time being, we’ve discovered yet another lawsuit filed against the company over an unpaid debt. While this one, which dates back to June, was filed in the same court as Billy Corgan’s lawsuit, quirks in the court’s online search system made it difficult to find. In this case, TNA has been sued by the company that handles the design, import, and export of their merchandise for ShopTNA.

The plaintiff/creditor, Fraley International, says on its website that it “provides expert resourcing and trading solutions for all of your importing/exporting needs.” In the complaint, it’s explained that “TNA has contracted at various times with Fraley for Fraley to design and order various merchandise for TNA, including, but not limited to, t-shirts, cups, and sunglasses.” They design, source, and order the merchandise, having it shipped directly to TNA from foreign suppliers, fronting all costs and not being reimbursed at all until TNA pays them after receiving the order.

This arrangement went south starting in September 2015, when TNA stopped paying Fraley. This went on for 23 different orders until the relationship completely fell apart after TNA never paid for a December 22nd, 2015 order. Farley insists that “TNA accepted the merchandise without objection or complaint” plus “the merchandise was in good working order and was consistent with TNA’s order.”

According to the complaint, these are the order dates and how much TNA owes from each:

screen-shot-2016-11-02-at-4-01-48-pm

screen-shot-2016-11-02-at-4-02-14-pm

All told, TNA owes a total of $43,348.70. Nothing has been filed in the case since July 19th, when TNA’s attorneys filed their notices of appearance. That’s the procedure for when a lawyer puts him/herself on down as an attorney of record on a given case, and there’s been no official movement since TNA’s lawyers filed their respective notices.

Dixie Carter & TNA CFO Share Details Of Move To PopTV Under Oath In Lawsuit

https://www.youtube.com/watch?v=MltyVsGI4qo

Something that had been a topic of discussion ever since TNA announce Impact’s move to PopTV was exactly what the terms of the deal were. Quickly, Pop denied that TNA was paying them to air the show, which would have been the worst case scenario. A few months later, there were reports that it was a barter deal where Pop got the show in exchange for a share of advertising revenue (in lieu of guaranteed rights fees), and that became the prevailing narrative. MLW had refuted that claim on Twitter, though.

Last week, in sworn affidavits that were largely overlooked (in light of the more explosive items from Billy Corgan’s lawsuit against TNA), both Dixie Carter and Chief Financial Officer Dean Broadhead admitted that the deal with PopTV is, in fact, a barter arrangement. The affidavits were filed as exhibits supporting TNA’s motion to oppose Corgan’s request for an injunction, with the motion including the same admission. From the motion (citations to the affidavit removed for clarity; you can read them at the link):

Impact has had cash flow challenges. It began experiencing cash flow deficits as a result of moving Impact’s television show lirom Destination America to Pop TV (both cable networks). The cash flow deficits were expected and required to transition the brand from a license model to a barter sales contract tied to advertising sales. The change was necessary in order to secure the company’s valuable digital rights, full sponsorship/advertising rights and non-exclusivity rights, all of which are critical to the long-term growth and success of the brand. When making such a transition, it is typical for advertising sales to take time to increase to a level at which the barter sales contract generates revenue similar to a license structure.

It’s not clear what the part about the change being “necessary” to “secure the company’s valuable digital rights” actually means. Reportedly, Destination America opted out about four months into the deal effective later in the year, with the internal reasoning being that too many network sponsors put Impact on their “Do Not Advertise” list.

While Carter and Broadhead don’t specifically say that the move from Destination America to PopTV was voluntary, it’s not a huge stretch to read the statements that way. Both affidavits do say that “Impact made the strategic decision to move from a license fee to a barter system in the United States.” If not referring to the network switch, it’s possible that it could be explained by PopTV having offered a very low license fee or maybe TNA turning down options where the license fee was $0.

Analysis: Even if you try to take it at face value, TNA management is saying that they gave up guaranteed money for a share of ad revenue, which is mind boggling in light of the long history of pro wrestling getting rock bottom rates from sponsors. At best, this is an admission of incredibly bad decision making, unless the nebulous claims about digital rights somehow explain it. Even then, in the event the idea is that the PopTV deal gives TNA full control of its digital rights domestically and Destination America didn’t, how exactly did TNA management expect to exploit these newly freed up digital rights?

WrestleMania, WWE Network at Center of Strange New Donald Trump Story

Yahoo News posted a story on Wednesday morning about Republican presidential candidate Donald Trump’s connections to Robert LiButti, a reputed mob member who was a regular at Atlantic City casinos when the former was in that business. It’s a topic they’ve covered in the past, including how Trump Plaza was fined over connections to LiButti before he was banned from New Jersey casinos. The new story, however, centers around new evidence they discovered that theoretically rebuts Trump’s claims that he didn’t know LiButti: The two of them attending WrestleMania IV together.

Held at the Atlantic City Convention Center (billed as “Trump Plaza” due to the hotel sponsoring the event), Trump is seated in the front row opposite the hard camera throughout WrestleMania IV. LiButti is next to him the whole time. However, even though the show is on WWE Network with minimal edits, this is how Yahoo referred to the clip (emphasis ours):

The reputed mob figure, Robert LiButti, can be seen standing alongside Trump in the front row of a 1988 “WrestleMania” match in Atlantic City, N.J. LiButti wasn’t there by accident, according to his daughter, Edith Creamer, who also attended the event. “We were his guests,” she told Yahoo News in a text message this week.

The video was given to Yahoo News by a confidential source who discovered it in the online archives of World Wrestling Entertainment, the sponsor of “WrestleMania.”

The images and clips in question have the WWE logo on them and appear to be taken from WWE Network’s version of the WrestleMania IV broadcast, not any kind of leaked video taken from WWE’s servers. Also, while worded oddly, that last part of the quoted section isn’t even factually true. as Trump Plaza was the sponsor of the event. That’s why the Atlantic City Convention Center was referred to as “Trump Plaza” for the show, because the sponsoring hotel got naming rights a la Atlantic City boxing events from that era.

Analysis: Politics aside, this is really strange, but also not the first time something like this happened during the election. Other outlets have branded previously broadcast Trump clips as exclusive discoveries, though not necessarily with the “confidential source” angle and sleight of hand used here by Yahoo. Even though there’s news value to tying together Trump and LiButti with the clip, the claims about the sourcing cast a shadow over the entire piece.

Kurt Angle Talks WWE Style Getting Too Fast, Creative Control, & More

Kurt Angle is Steve Austin’s guest on “The Steve Austin Show” this week, and he had some particularly interesting things to say about the current iteration of the WWE in-ring style. The comments stemmed from a discussion of Cody Rhodes, and if maybe he had issues getting over because the current WWE style and pace may not be for him. Here’s what Angle had to say (credit to WrestleZone for the transcription):

Well, I have always believed in his talent. I think I understand why he left. I don’t think he’s going to be gone from there forever. I think that he will eventually go back there. I just think he wanted a break, and wanted to do something where he could just find himself. I think that in WWE, he was doing what they wanted him to do, and I know he wanted to elaborate more on the Stardust character. It seemed that watching, he was on TV every week so I give WWE credit for that, but I just didn’t see him progressing in the ranks, I just saw him continue to be where he was. I don’t think they saw him where he thought he should be, and there will be a lot of people that agree with Cody on that, but at the same time, I look at WWE and there are a lot of good talent right now.

From there, Angle pivoted to the pace/speed of the WWE style in general:

Their style have picked up the pace more, they need to pull that back a bit. They need to go back to being a little more old school. I think their pace is going really fast, and I think the one thing that they are not doing is selling as much as they should. I think that down the road, if they continue to do that and pick up the pace it could eventually kill the business. You know wrestling works in cycles. There was a time when I was in WWE, I remember were I started 50 straight matches without tying up; it started with punches, but then it slowed down, then came to technical wrestling. I think it’ll come around again, I just think right now they are giving wrestlers less time on TV, so there’s no time to tell that story and show their wrestling ability.

[…]

I think a lot of these guys believe they have to have a beginning of a match. If their time is being cut from a 10 minute match to a 6, then they have to start with the heat, it’s not a bad thing to start off a match doing that. I think these guys want to tell an entire story so they don’t have time to do it, so they speed it up and just try to get it all in. It doesn’t appear good on TV. As a fan, you see them going around 150 miles per hour, no one sold anything. I think that if they don’t have the time, just start with the heat. It’s probably the best thing you can do.

On a similar note, Angle addressed how he prefers to use the creative control that working independently gives him:

They give me creative control. I can do what I want to do. Most matches I have been in this year, I have lost. I don’t see winning these matches on the indy scene being important to me. It’s more about having a great match with the guys. The fact that they are younger, it gives them a great rub with one of the best wrestlers ever. To me, the winning and losing part is not important, it’s just about getting my reps in. Next year I plan on going back somewhere. I don’t know where yet, but I wanted to keep myself mentally sharp. I booked my matches this year; one against Rey Mysterio, with Cody Rhodes. I have another one coming up with Alberto Del Rio, and Joe Coffey. I had a match with Zack Sabre Jr, who is in the Cruiserweight tournament. He’s a very talented kid. These guys I pretty much picked, knowing I would be able to wrestle these talented kids, before I attempt to most likely come back to WWE.

Analysis: It’s very interesting to hear these comments from Angle specifically. As talented as he is, one of the few criticisms of him as an in-rint wrestler has been that he’s not great at slowing things down when he needs to. Once, when Angle and Luther Reigns were feuding with Eddie Guerrero on SmackDown, they even got into an argument in the locker room over Angle and Reigns feeling that Guerrero was staying down too long for various moves. Now, With Angle’s full-time career over, it looks like he sees things differently and doesn’t want to see wrestlers “going around 150 miles per hour” in every match.

Here’s How Much TNA’s Ratings Dropped Leading Up To End of UK TV Deal

https://www.youtube.com/watch?v=4CqPYR1RTXo

In light of the announcement that TNA and the United Kingdom’s Challenge TV are parting ways, it’s probably a good idea to talk about why, especially in light of the UK being perceived as the company’s hottest market. With that in mind, Irish wrestling writer Garrett Kidney, who tracks their UK viewership, tweeted out some figures after the news came in:

The first tweet shows TNA starting the year off in the 150,000 viewer range before the drop in May, which was huge and immediately noticeable, first with a consistent dip under 140,000. After the free fall started, there were even some weeks where Impact had well under 100,000 viewers, with few to no signs of a potential recovery on the horizon. Perhaps most alarmingly, Impact stopped ranking in the top shows on Challenge TV most weeks, which says a lot when you consider that its programming lineup is otherwise game show reruns and the British adaptation of American Gladiators. The second tweet shows Impact bringing in over 200,000 viewers fairly consistently even as late as 2013.

Report: ROH Wrestler Leaving Company At The End of 2016

https://www.youtube.com/watch?v=jORr5uWzOQA

It looks like one of pro wrestling’s most spectacular high flyers is a couple months away from becoming a free agent. PWinsider (NSFW ads) is reporting that ACH will be leaving the company at the end of the year. This appears to stem from his promo a couple weeks ago at an AAW show in the Chicago area, where he cut a post-match promo about how his “wife” doesn’t appreciate  him and he needs to leave her for the girl who always did, with the implication being that the wife was ROH and the other girl was AAW or independent promotions in general.

According to the PWInsider report, this got ACH a bit of heat since he’s under an exclusive ROH deal and needed the office’s permission to work on the AAW show. There was also a belief that ROH may very well have covered his travel to Chicago for the show (ROH was running in the market a few days later), which made matters worse. The two sides met to try to resolve the issues, and it looks like this is how that meeting turned out.

Analysis: This is not the first time there have been stories going around about ACH not being the most professional in his dealings with promotions. If he’s looking to just do indies, he’ll probably do fine, but you have to wonder if WWE will be skeptical of signing him based on how he acted out at the AAW shows.

Billy Corgan’s Lawyer Makes It Clear That Lawsuit Against TNA Will Continue

https://www.youtube.com/watch?v=YbaVBQj80X0

On Monday, Nate Rau from the Tennessean newspaper in Nashville, who’s done a great job covering TNA’s legal issues in recent weeks, published his own story on the ruling against Billy Corgan earlier in the day. In the process of writing the article, he got a statement from Scott Sims, the lawyer for Billy Corgan, which reads as follows:

Mr. Corgan understands that temporary injunctive relief is an extraordinary remedy and, due to the nature of the proceedings, he did not have full access to information in the defendants’ possession that bears on the issues in this case. Mr. Corgan looks forward to the opportunity to conduct full discovery into these matters and present his case in its entirety to the Court at a later date.

Analysis: This isn’t necessarily double talk. As noted in our summary of the ruling, the judge conceded that as this early juncture, evidence was inconclusive when it came to showing whether or not TNA misled Corgan in the process of trying to get him to put money into the company. Just because there wasn’t enough to get an injunction doesn’t mean that, with Corgan able to get full discovery (document production, conducting depositions, etc.) he couldn’t get a clearer picture later.

Yes, TNA sent Corgan a whopping 14,000 pages of documents already, but that’s been perceived as more of a move to stall him, even if it did include some incriminating evidence. If he doesn’t already have everything he needs from that, he’ll get it in due time, along with the ability to get testimony under oath about it from Dixie Carter and all of the other key figures in TNA.

Breaking: Pro Wrestling NOAH Purchased By Japanese IT Company…Not NJPW

https://www.youtube.com/watch?v=8UaNiHi-KLY

Enuhito, one of the most reliable denizens of Wrestling Twitter for Japanese to English translations, tweeted some big news later Monday night, which he sourced from Tokyo Sports:

Pro Wrestling NOAH had been, at different times, either the biggest or second biggest pro wrestling promotion in Japan dating back to not long after its debut in August of 2000. The company launched after the death of promoter Shohei “Giant” Baba caused turmoil on All Japan Pro Wrestling, leading to almost the entire roster and office staff, led by top star Mitsuharu Misawa, breaking away. The company didn’t immediately get network TV due to the nature of the deals that were made, but NOAH eventually landed AJPW’s old slot on Nippon TV.

After a few years, the combination of the network TV deal, a fresh product, New Japan Pro Wrestling’s downturn, and Kenta Kobashi replacing Misawa as top babyface led to a huge boom in business. While it’s hard to gauge specifics due to the way that numbers are exaggerated, NOAH’s two shows at the Tokyo Dome were among the biggest wrestling cards in the building’s history. They legitimately packed the stadium, and unlike other promotions, NOAH lit up the building like a Christmas tree so you could tell on TV.

The downfall of the company started with Misawa’s in-ring death in 2009. The network TV deal went away a year later due to budget cuts, which dealt a huge blow in both exposure (cable and satellite pay TV are not prominent in Japan) and direct revenue (NTV heavily subsidized all TV tapings). The company was no longer a superpower.

A few years ago, NJPW started funding the company in some form, eventually making it more obvious by sending Minoru Suzuki’s Suzuki Gun stable over to boost business. Around the same time, Super Crazy, who had worked for NOAH for years on and off, did an interview where he suggested the two promotions were one company. NJPW co-booker Jado started booking NOAH. It all appeared to be leading to something more official when NOAH’s existing TV contracts (on cable/satellite and enhanced digital broadcast channels) expired, but now, that doesn’t appear to be the case.

Analysis: Clearly, there’s something missing here. NJPW was not mentioned once in the Tokyo Sports article. Maybe the idea was just to get NOAH into good enough shape that the company could find a corporate savior, but that’s not how NJPW has treated NOAH for the last couple years. There was a distinct change from NOAH being just like every other company that’s friendly with NJPW to being on that NJPW was seemingly pouring resources (both financial and talent-wise) into and was reluctant to pull those out. This should be a very interesting story to track in the next few weeks.

Maria Kanellis Bennett Announces Upcoming Retirement From Pro Wrestling

Just hours after her husband, Mike Bennett, appeared to make it clear what he thinks of today’s TNA news, Maria Kanellis Bennett tweeted a multi-part message on Monday night not long after Raw started:

https://twitter.com/MariaLKanellis/status/793242751961862145

https://twitter.com/MariaLKanellis/status/793243837074374656

https://twitter.com/MariaLKanellis/status/793244585803804672

Granted, she’s not retiring right away. Still, it’s not like retirement tours are new in the wrestling business, either.

Analysis: As noted earlier in the post about Mike Bennett’s tweet, the married couple came into TNA under the new type of contract that the company started offering this year. The idea was for TNA to be able to offset good guaranteed money by booking talent out to independent promotions, but it appears that the prices being charged by the promotion were not competitive enough to get most indies to bite.

With wrestler paychecks being late and/or bouncing at least twice over the court of the last three pay periods, you can see why someone in TNA would become disillusioned with the business, especially when both halves of a marriage are having the same pay issues. If you have options, and Maria clearly feels like she does, then maybe a way out sounds awfully good right now.

While she never turned into  great mechanical pro wrestler, Maria absolutely doesn’t get enough credit for how good a performer she has become in all other facets.. In one sense, it will be a shame to see her go, but I hope she does great in the next stage of her life and we should all respect her decision, especially under the current circumstances for TNA roster members.

At Least One TNA Wrestler Does Not Seem Happy With Today’s News

https://www.youtube.com/watch?v=KH0QeI9SAqw

TNA wrestler “Miracle” Mike Bennett tweeted this on Monday afternoon after news broke that Billy Corgan lost his bid to get an injunction against TNA:

Last week, when the two sides were in court, Bennett’s wife and valet, former WWE star Maria Kanellis Bennett, tweeted this:

https://twitter.com/MariaLKanellis/status/791350432476127233

That’s the Twitter handle of Nate Rau, a reporter from the Tennessean newspaper in Nashville, who was live tweeting the hearing. While numerous fans and some wrestlers followed Rau during the hearing, Maria was the only one to openly tweet about what was going on.

It only makes sense: As noted earlier today, checks written to various talent bounced on September 1st. On top of that, Corgan had previously alleged that TNA told the roster that the restraining order/lawsuit was stopping the company from paying them on October 15th. The Bennetts, who left ROH and NJPW, were among the performers who signed with TNA this year for decent sized guarantees with the idea that the company would make it back by booking them out to independent promotions. That has not gone well so far.

How and Why TNA Won Judge’s Ruling Over Billy Corgan and Sidestepped An Injunction

https://www.youtube.com/watch?v=1NHaThfSi3k

Our friend Ryan Satin of Pro Wrestling Sheet has posted the entire opinion entered today by Chancellor Ellen Hobbes Lyle in Billy Corgan’s lawsuit against TNA, its parent companies, and its managers, including Dixie Carter. As noted earlier, this opinion dissolved Corgan’s temporary restraining order against TNA (which kept the company from selling off shares and assets, signing contracts, etc.) and denied his request for an injunction. So, according to the honorable Chancellor Lyle, why did TNA prevail?

According to the pledge agreement that Corgan and Carter signed on August 11th, Corgan would get power of attorney for Carter’s 92.5% of TNA if an “event of default” took place. According to Corgan, those “events of default” were not TNA’s non-repayment of the loan (it’s due tomorrow, November 1st), but actually these two issues:

  1. [T]he LLC has become insolvent.
  2. [T]he Defendants have breached by not performing their duty of keeping the Plaintiff informed about the financial condition of the LLC, and potential acquisition of the LLC and/or some of its assets.

Chancellor Lyle ruled that the agreement “was not implemented in accordance with Tennessee law and [TNA’s] LLC Operating Agreement,” and as a result, Section 6, the relevant portion, “is, therefore, unenforceable to remove the Defendant LLC Managers.” The managers are Carter, her husband, Serg Salinas, and Chief Financial Officer Dean Broadhead, and they all had to consent for the agreement with Corgan to be valid. Obviously, he was lacking that consent. The court also found that Corgan’s underlying argument, that under the agreement, he was getting a proxy to Carter’s shares and not the actual shares, lacked merit.

Specifically, on the individual issues, even if it was a valid agreement:

Re: #1:

“[T]he operative text of the Pledge Agreement, ‘becomes insolvent,’ is ambiguous when applied to the facts of record.” The relevant rules of procedure require “clear proof for issuance of an injunction” and “[t]he existence of an ambiguity does not constitute clear proof.” In addition, “[a]s identified by Defendants’ argument, inclusion of the word ‘becomes’ in the text must be taken into account. Tennessee contract construction rules require every word to be given effect, and none may be ignored, omitted or read out of the text.”

In other words? TNA couldn’t become insolvent if TNA already was insolvent. From Hobbes’ ruling:

It is undisputed that at the time the parties entered into the insolvency provision of the default section of the Pledge Agreement, the LLC was financially distressed. While the inference the Defendants seek for the Court to draw is that this distress was an anticipated temporary cash crunch from moving a license fee operation of the LLC to a barter system to maximize monetarization of the LLC’s content, the facts nevertheless are unrefuted that in 3months—June, July, August 2016—the LLC had to have huge infusions of cash from the Plaintiff to meet expenses and to produce its product or, as stated by Defendant Broadhead, “all would have been lost.”

The Court further finds that much of the Plaintiffs proof of insolvency, as would be expected, is not financial events and “snapshots” which occurred after the Pledge Agreement was entered into on August 11, 2016, but were conditions and events which had their inception and roots before August 11, 2016, which continued to worsen and deteriorate up to the present.

Due to the time constraints of working for the injunction, what Corgan was able to find amounting to proof of TNA becoming insolvent after August 11th was “that debts have increased 52% in the last 60 days ” and the following “collection and enforcement demands” from creditors (new or at least partially new information is in bold):

  • As of August 19, 2016, Impact Ventures was unable to pay American Express, prompting American Express to file suit to recover.
  • As of August 31, 2016, Impact Ventures was unable to pay officers’ salaries.
  • As of September 1, 2016, checks issued to talent bounced, and Dean Broadhead stated: “We owe talent money. We owe employees money, we [sic] many vendors money.
  • As of September 8, 2016, the Tennessee Department of Revenue filed a tax lien against the company.
  • As of September 8, 2016, Impact Venture’s operating account was overdrawn and the company had trade accounts payable.

Re: #2:

“The parties have submitted competing and disputed versions of these facts such that the proof is not clear” as to whether or not TNA withheld or concealed information from Corgan. Corgan needed to prove a “substantial likelihood of success on the merits at trial that the Defendants breached by withholding information.” At this early juncture, with conflicting information from both sides, Hobbes didn’t think his case rose to that level.

Billy Corgan Tweets Statement On Judge’s Ruling In TNA Lawsuit

Billy Corgan tweeted these messages after word came out that he lost both his temporary restraining order against TNA and his request for a temporary injunction against the company:

https://twitter.com/Billy/status/793183441491668992

https://twitter.com/Billy/status/793184289584066560

https://twitter.com/Billy/status/793185545216069632

If you’re having issues with the embeds, here’s the statement in its entirety:

For those asking, I’m in no way disappointed in the judges ruling regarding TNA. Rather, I’m grateful the judge considered the case. It’s important to note is these proceedings have brought forth facts which illuminate business practices I have fought against for a reason. And I suggest that a careful reading on the judge’s ruling supports there can be no claim of victory by anyone in a position of authority.

Update: And here is our post summarizing what you need to know about why the judge/chancellor ruled the way she did.

Major Legal Victory For TNA As Judge Rules Against Billy Corgan

The online docket of Chancery Court in Nashville/Davidson County, Tennessee has been updated in Billy Corgan’s lawsuit against TNA, its parent companies, and its corporate managers (including Dixie Carter and her husband). It reads as follows:

10/31/2016 Chancellor’s Memorandum and Order

Memorandum and Order Dissolving 10/13/16 Temporary Restraining Order and Denying Temporary Injunction

This means that TNA is now free to sell pieces of the company again, sign new contracts, and so on. If Corgan still wants relief for what he believes is his rights to power of attorney for Dixie Carter’s 92.5% of the company, then he’s not getting it in court until he pushes the lawsuit to a settlement or a jury award. As outlined in court, TNA is expected to be sold to Anthem Sports and Entertainment, the parent company of The Fight Network, with Jason Brown of Aroluxe Media (minority shareholder) taking over as Chief Executive Officer.

Presumably, Aroluxe will continue to produce the TV even with Anthem being the majority owner. Carter, who is believed to retain a small percentage in the proposed deal and has always looked to save face in these deals, will have a title and some kind of “owner emeritus” status.

Update: Billy Corgan’s statement on the ruling can be read here.

And Another: Our distillation of what you need to know about why the judge/chancellor ruled the way she did can be read here.

WWE, WrestleMania Win Multiple Social Media Related Honors At W3 Awards

WWE sent out the following press release on Monday:

WWE Wins five Gold and 12 Silver W3 Awards; WrestleMania 31 takes home Best in Show Award

WrestleMania 31 was recently honored by the Academy of Interactive and Visual Arts (AIVA) W3 Awards as “best in show” in the Social Content and Marketing category; the first-ever Best In Show award won by WWE.

Additionally, WWE Network, WWE.com, WWE App, Connor’s Cure and WWE Social Media were all recognized for their creative excellence with five W3 Gold Awards and 12 Silver Awards – for an overall total of 18 Awards.

For a list of all W3 awards won by WWE please see below:

BEST IN SHOW

· WWE WrestleMania 31 – Social Content & Marketing – Sports

GOLD

· WWE.com – Website Features – Home Page

· WWE Network – Website Features – Visual Appeal

· WWE App w/ WWE Network – Mobile Apps/Sites – Sports

· WWE Social Media – Social Features-Social Presence

· Connor’s Cure – Social Content & Marketing – Public Service & Activism

SILVER

· WWE.com – General Website Categories – Sports

· WWE.com – General Website Categories – Entertainment

· WWE on YouTube – Video Channels and Networks – Variety

· WWE Network – General Website Categories – Entertainment

· WWE Network – General Website Categories – Sports

· WWE Network – General Website Categories – Media Streaming

· WWE WrestleMania 31 – Social Content & Marketing – Events

· WWE WrestleMania 31 – Social Content & Marketing – Entertainment

· WWE App w/ WWE Network – Mobile Apps/Sites – Entertainment

· WWE App w/ WWE Network – Mobile Features – Best User Interface

· WWE Superstar Ink – Online Video-Web Series

· Make your grand WrestleMania 32 entrance in 360° – Online Video-Interactive Video

The W³ Awards honors creative excellence on the web, and recognizes the creative and marketing professionals behind award winning sites, videos and marketing programs. The W³ is sanctioned and judged by the Academy of Interactive and Visual Arts, an invitation-only body consisting of top-tier professionals from a “Who’s Who” of acclaimed media, interactive, advertising, and marketing firms.

Why WWE wouldn’t get awards for WrestleMania 31 until 18 months later isn’t exactly clear, but WWE has a slickly designed presentation about the show for award purposes on WWEAwards.com. That’s a real site, described as “WWE digital awards portfolio website.”

Wrestlers React To WWE Hell in a Cell 2016 Women’s Title Main Event

Some social media reactions to the Hell n a Cell main event between Sasha Banks and Charlotte from wrestling personalities both in and outside of WWE:

 

 

Read Stephanie McMahon’s New WWE Contract Extension For 2016-2019

As noted earlier, WWE’s 10-Q filing (PDF) with the Securities and Exchange Commission for the third quarter of 2016 includes an amendment to Stephanie McMahon’s talent contract with WWE. As an executive officer of a public company, all of her contracts have to be filed publicly. This is why the contracts for Triple H/Paul Levesque, Vince McMahon, Jim Ross, and others have gone public over the years.

Technically speaking, this was just an amendment/extension, not an entirely new contract, and here’s the full text, which is on page 50 of the above linked filing and pays her a guarantee of $500,000 annually:

FIRST AMENDMENT TO BOOKING CONTRACT

This First Amendment to Booking Contract (“First Amendment”), effective as of October 7, 2016, is by and between WORLD WRESTLING ENTERTAINMENT, INC. (“Promoter”), with offices at 1241 East Main Street, Stamford, Connecticut 06902, and STEPHANIE MCMAHON-LEVESQUE (“Wrestler”), with respect to a certain Booking Contract by and between Promoter and Wrestler effective as of October 7, 2013 (the “Agreement”).

In consideration of the promises, covenants and agreements set forth herein and for other good and other valuable consideration, the receipt and sufficiency of which are hereby acknowledged, the parties, intending to be legally bound, hereby agree as follows:

1. The parties agree that the “Term” of the Agreement shall be extended to run an additional three years. Thereafter, the Term shall extend on a year-to-year basis unless either party terminates it by written notice to the other party at least ninety (90) days prior to the then effective end of the Term.

2. The parties further agree to amend the Agreement by deleting paragraph 7.1(a) in its entirety and replacing it with the following provision: “Unless terminated pursuant to the terms herein, PROMOTER shall pay WRESTLER each Contract Year the total sum of Five Hundred Thousand Dollars ($500,000.00) (referred to hereinafter as “Minimum Annual Compensation”). PROMOTER agrees, commencing with the Effective Date, to pay WRESTLER the Minimum Annual Compensation in fifty- two (52) weekly installments consistent with PROMOTER’s regular payment procedures.”

3. All terms not defined in this First Amendment shall have the same meaning given them in the Agreement. Except as expressly or by necessary implication modified by this First Amendment, the terms and conditions of the Agreement are hereby ratified and confirmed without limitation or exception and shall remain in full force and effect.

IN WITNESS WHEREOF, the parties hereto have executed this First Amendment as of the date first above written.

WORLD WRESTLING ENTERTAINMENT, INC. (“Promoter”)

By:

/s/ Mark Carrano Mark Carrano VP, Talent Relations

/s/ Stephanie McMahon-Levesque Stephanie McMahon

NXT To Shoot TV At Post-Survivor Series SmackDown Taping

WWE’s official NXT account tweeted this early Friday afternoon:

There had been speculation for a few weeks about how WWE would address the upcoming gap that the NXT taping schedule had created, as it looked like they would be short a show before the first post-TakeOver Toronto tapings at Full Sail University in Winter Park, Florida. Now we know: They’re taping another show three days after TakeOver at the SmackDown taping in Ottawa, which is being held at the Canadian Tire Center. As of right now, there’s no indication if Main Event will still be taped that night, as that’s what is usually recorded before SmackDown.

Recap of Today’s Hearing in the Billy Corgan vs. TNA Lawsuit

To preface this: No, there was no ruling today. That’s coming Monday (October 31st), though Billy Corgan was happy with how it went:

https://twitter.com/Billy/status/791402309834027008

Nate Rau of the The Tennesseean, the paper of record in Nashville, live tweeted today’s hearing in Corgan v. Impact Ventures LLC, where Billy Corgan attempted to get an injunction against the company. Rau also filed an article after the hearing, and here are some of the key takeaways from his coverage…

Corgan’s side was largely what we already knew/had reported, with the exception being that at one point, his lawyer slipped and revealed that TNA’s debt to Anthem Sports and Entertainment (Fight Network parent company) is now $1.8 million. It had been $1.1 million before the latest round of TV tapings, so it looks like TNA spent $700,000 for that week of shows. Since it included Bound For Glory, that’s probably more than the average block of shows due to both the extra day and the live satellite time required for pay-per-view, which TNA didn’t put down the money for until late in the previous week.

TNA’s attorney argued that the company is not insolvent, and a lot of his claims were met with guffaws on Twitter. Even if TNA had defaulted, he said that the contract, which would give Corgan Dixie Carter’s 92.5% of the company, is illegal under Tennessee law, adding that it would“make a loan shark blush.” It seemed as if much of his argument was based around chiding Corgan for arranging a “heads I win, tails I lose” deal as opposed the legality of it all, though.

As for Anthem? Their attorney said that the company is willing to pay off Corgan’s loan minus a transaction fee that TNA owes him, which largely echoes what their press release said last week. Ray wrote that Anthem “owns licensing rights to TNA’s lucrative video library,” but it’s still unclear just what that means. Taken literally, it sounds like Anthem can license the back catalog both for The Fight Network and to third parties to make back what it loaned TNA.

Billy Corgan Claims That He’s Seen Copies Of TNA’s Correspondence With WWE

https://www.youtube.com/watch?v=p_tKRMoMkk0

Another new piece of information has dropped from the latest documents in Billy Corgan’s lawsuit against TNA. Corgan had already alleged that TNA lied to him about negotiating with WWE to sell the company’s video library, but now there are more details, reported by Ryan Satin of Pro Wrestling Sheet. According to the new filing, TNA Chief Financial Officer Dean Broadhead told Corgan on September 26 that the WWE rumors were false.

However, after TNA produced over 14,000 pages of documents to Corgan as part of the lawsuit, he and his lawyers found tangible proof. Those would be “certain due diligence materials that WWE had requested” the day before his conversation with Broadhead. There was also this reference to the WWE deal, which downplayed Corgan’s role in the company: “When WWE raised issues relating to Corgan’s note in the course of their negotiations, [Dixie] wrote: ‘I intend to pay the loan back in full plus interest prior to selling the company.’”